Meditations on Popular Music Exhibitions continued

Note to readers: This blog post is a continuation of one uploaded on August 13, 2021 -- https://louisarmstrongfellowsblog.wordpress.com/2021/08/13/meditations-on-popular-music-exhibitions/. The two blogs posts should be read as one piece, not two stand-alone pieces. The author retains all ownership rights of the prose.The author also retains the right to use any or all the prose in future... Continue Reading →

Meditations on Popular Music Exhibitions

In July I explored the Museum of the City of New York’s exhibition New York, New Music: 1980-1986. En route to the museum, I wondered whether its exhibition would be exceptional and offer something in content or layout that would depart from similar popular music exhibitions I had seen previously. The day of my visit... Continue Reading →

Fellowship Reflections

On September 25, 2020, I authored my first blog post for this webpage. In that initial post, I drew attention to the sounds of Armstrong’s den, his personal archive, and the reel-to-reel tape recordings he made in that room. I could not have predicted that my interest in exploring Armstrong’s interactions with audio technology and... Continue Reading →

Armstrong’s Fan Club – Part II

In 1957, Armstrong and the All Stars went on a goodwill tour of several South American countries including Argentina, Uruguay, Brazil, Chile, and Venezuela. After landing at Buenos Aires’ airport, a welcome party consisting of some 5,000 ecstatic Argentines, greeted Armstrong and the All Stars on the tarmac. Two police escorts attempted to help Armstrong... Continue Reading →

Armstrong’s Fan Club – Part I

I would like to think that if I had lived during Louis Armstrong’s time and had the opportunity to meet him, I would know how to act and what to say. However, based on my previous interactions with certain contemporary musicians during official and unofficial “meet and greets,” I am not certain I would be... Continue Reading →

Armstrong’s “Social Networks”

On the Louis Armstrong House Museum’s (LAHM) digital collections webpage, I keep a folder entitled “Random Items” that holds a group of interesting but unrelated digitized archival objects. This past week I re-examined some of the objects in the folder, which includes a 1968 telegram written by Armstrong that mentions Barbra Streisand’s voice, a photo... Continue Reading →

Listening to Louis – Part II

Listening to Louis as an ethnomusicologist Do I listen to Louis as an ethnomusicologist? This is a question I have been pondering since my last blog post in which I described the act of listening to Louis as a deeply personal experience that evokes an emotional response. I appreciate that my undergraduate and graduate ethnomusicology... Continue Reading →

Listening to Louis – Part I

Listening to Louis in “my little corner of the world” It is another day. I walk into my living room, where my beat-up black Ikea desk rests against one of the walls. I open my laptop, turn on my desk lamp, check my email, look over my list of “to-dos,” and begin my work. During... Continue Reading →

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